THE ACCOUNTANT 2 – Trailer ITA
Ecco la sinossi ufficiale: Christian Wolff (Ben Affleck) ha un talento per risolvere problemi complessi. Quando un vecchio conoscente viene ucciso, lasciando dietro di sé il messaggio criptico “trova il contabile”, Wolff è spinto a risolvere il caso. Rendendosi conto che sono necessari metodi più estremi, Wolff recluta il suo letale fratello Brax (Jon Bernthal) per aiutarlo. In collaborazione con Marybeth Medina (Cynthia Addai-Robinson), vicedirettore del Dipartimento del Tesoro degli Stati Uniti, scoprono una letale cospirazione, diventando bersagli di una spietata rete di assassini che non si fermeranno davanti a nulla pur di mantenere sepolti i loro segreti.
The Whisper Man, il nuovo film con Bob DE NIRO!
From Deadline.
Netflix and AGBO‘s adaptation of the Alex North novel The Whisper Man is gaining some serious momentum, as sources tell Deadline that Robert De Niro is set to star in the crime thriller. James Ashcroft is set to direct, with Ben Jacoby and Chase Palmer adapting the script.
Anthony Russo, Joe Russo, Angela Russo-Otstot and Michael Disco will produce for AGBO, marking the sixth film out of Netflix and AGBO’s ongoing partnership.
Based on North’s New York Times bestselling novel, The Whisper Man revolves around a widow crime writer who, after his 8-year-old son is abducted, looks to his estranged father, a retired former police detective, for help, only to discover a connection with the decades-old case of a convicted serial killer known as “The Whisper Man.”
Kassee Whiting will exec produce for AGBO as will Marcus Viscidi. Production is set to start this spring on the East Coast.
“AGBO is excited to be embarking on our 6th film with our incredible partners at Netflix,” said Russo-Otstot, AGBO’s chief creative officer. “The Whisper Man is a gripping thriller but at its core is a poignant and complex story of father and sons. We are grateful to have one of the finest actors of his generation, Robert De Niro, anchoring that story and with the remarkable James Ashcroft directing.”
AGBO and the Russo brothers continue their successful partnership with Netflix following 2019’s Mosul, the 2020 release of Chris Hemsworth starrer Extraction, the 2022 release of the Ryan Gosling and Chris Evans starrer The Gray Man (No. 7 on Netflix’s all-time most popular film list) and the 2023 release of Extraction 2. All three reached the Netflix Top 10 list in 93 countries.
Next up from AGBO is the adventure sci-fi film The Electric State starring Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Jason Alexander and Woody Norman, with Giancarlo Esposito and Stanley Tucci.
De Niro and Netflix continue their relationship that began with the Oscar-nominated epic The Irishman, in which that the Oscar winner starred. It continues with the upcoming Zero Day, the first drama series in which he will star. He is also set to star in Warner Bros’ The Alto Knights in which he plays dual roles.
De Niro is repped by CAA; AGBO is repped by CAA; Jacoby is represented by Verve, LIT Entertainment and Lev Ginsburg; and Ashcroft is repped by CAA and Untitled Entertainment.
Finally, le nomination(s) agli Oscar
From Deadline.
Best Picture
“Anora” (Neon)
A Cre Films Production
Alex Coco, Samantha Quan and Sean Baker, Producers
“The Brutalist” (A24)
An A24/Brookstreet Pictures/Kaplan Morrison Production
Nominees to be determined
“A Complete Unknown” (Searchlight)
A Veritas Entertainment Group/White Water/Range/Picture Company/Turnpike Films Production
Fred Berger, James Mangold and Alex Heineman, Producers
“Conclave” (Focus Features)
A FilmNation Entertainment/Indian Paintbrush/House Production
Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
“Dune: Part Two” (Warner Bros.)
A Legendary Pictures Production
Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
“Emilia Pérez” (Netflix)
A Netflix/Page 114/Why Not Productions/Pathé/France 2 Cinéma/Saint Laurent by Anthony Vaccarello
in association with Library Pictures International Production
Nominees to be determined
“I’m Still Here” (Sony Pictures Classics)
A VideoFilmes/RT Features/Mact Production
Nominees to be determined
“Nickel Boys” (Orion Pictures/Amazon MGM Studios)
A Plan B Entertainment/Anonymous Content/Louverture Films Production
Nominees to be determined
“The Substance” (Mubi)
A Match Factory/Working Title/Blacksmith/A Good Story Production
Nominees to be determined
“Wicked” (Universal)
A Universal Pictures/Marc Platt Production
Marc Platt, Producer
Actor in a Leading Role
Adrien Brody in “The Brutalist” (A24)
Timothée Chalamet in “A Complete Unknown” (Searchlight)
Colman Domingo in “Sing Sing” (A24)
Ralph Fiennes in “Conclave” (Focus Features)
Sebastian Stan in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)
Actress in a Leading Role
Cynthia Erivo in “Wicked” (Universal)
Karla Sofía Gascón in “Emilia Pérez” (Netflix)
Mikey Madison in “Anora” (Neon)
Demi Moore in “The Substance” (Mubi)
Fernanda Torres in “I’m Still Here” (Sony Pictures Classics)
Actor in a Supporting Role
Yura Borisov in “Anora” (Neon)
Kieran Culkin in “A Real Pain” (Searchlight)
Edward Norton in “A Complete Unknown” (Searchlight)
Guy Pearce in “The Brutalist” (A24)
Jeremy Strong in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)
Actress in a Supporting Role
Monica Barbaro in “A Complete Unknown” (Searchlight)
Ariana Grande in “Wicked” (Universal)
Felicity Jones in “The Brutalist” (A24)
Isabella Rossellini in “Conclave” (Focus Features)
Zoe Saldaña in “Emilia Pérez” (Netflix)
Directing
“Anora” (Neon) Sean Baker
“The Brutalist” (A24) Brady Corbet
“A Complete Unknown” (Searchlight) James Mangold
“Emilia Pérez” (Netflix) Jacques Audiard
“The Substance” (Mubi) Coralie Fargeat
Writing (Adapted Screenplay)
“A Complete Unknown” (Searchlight) Screenplay by James Mangold and Jay Cocks
“Conclave” (Focus Features) Screenplay by Peter Straughan
“Emilia Pérez” (Netflix) Screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys” (Orion Pictures/Amazon MGM Studios) Screenplay by RaMell Ross & Joslyn Barnes
“Sing Sing” (A24) Screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence
Maclin, John “Divine G” Whitfield
Writing (Original Screenplay)
“Anora” (Neon) Written by Sean Baker
“The Brutalist” (A24) Written by Brady Corbet, Mona Fastvold
“A Real Pain” (Searchlight) Written by Jesse Eisenberg
“September 5” (Paramount) Written by Moritz Binder, Tim Fehlbaum; co-Written by Alex David
“The Substance” (Mubi) Written by Coralie Fargeat
International Feature Film
“I’m Still Here” (Brazil)
A VideoFilmes Produções Artísticas Production
“The Girl with the Needle” (Denmark)
A Nordisk Film Creative Alliance Production
“Emilia Pérez” (France)
A Pathé Production
“The Seed of the Sacred Fig” (Germany)
A Run Way Pictures Production
“Flow” (Latvia)
A Dream Well Studio Production
Animated Feature Film
“Flow” (Sideshow/Janus Films) Nominees to be determined
“Inside Out 2” (Walt Disney) Kelsey Mann and Mark Nielsen
“Memoir of a Snail” (IFC Films) Adam Elliot and Liz Kearney
“Wallace & Gromit: Vengeance Most Fowl” (Netflix) Nominees to be determined
“The Wild Robot” (Universal) Chris Sanders and Jeff Hermann
Documentary Feature Film
“Black Box Diaries” (MTV Documentary Films)
A Hanashi Films/Cineric Creative/Star Sands Production
Shiori Ito, Eric Nyari and Hanna Aqvilin
“No Other Land”
An Antipode Films Production
Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
“Porcelain War” (Picturehouse)
A Songbird Studios/Imaginary Lane Production
Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
“Soundtrack to a Coup d’Etat” (Kino Lorber)
An Onomatopee Films/Warboys Films Production
Johan Grimonprez, Daan Milius and Rémi Grellety
“Sugarcane” (National Geographic Documentary Films)
A Hedgehog Films/Kassie Films/Impact Partners/Fit Via Vi Production
Nominees to be determined
Film Editing
“Anora” (Neon) Sean Baker
“The Brutalist” (A24) David Jancso
“Conclave” (Focus Features) Nick Emerson
“Emilia Pérez” (Netflix) Juliette Welfling
“Wicked” (Universal) Myron Kerstein
Cinematography
“The Brutalist” (A24) Lol Crawley
“Dune: Part Two” (Warner Bros.) Greig Fraser
“Emilia Pérez” (Netflix) Paul Guilhaume
“Maria” (Netflix) Ed Lachman
“Nosferatu” (Focus Features) Jarin Blaschke
Production Design
“The Brutalist” (A24)
Production Design: Judy Becker
Set Decoration: Patricia Cuccia
“Conclave” (Focus Features)
Production Design: Suzie Davies
Set Decoration: Cynthia Sleiter
“Dune: Part Two” (Warner Bros.)
Production Design: Patrice Vermette
Set Decoration: Shane Vieau
“Nosferatu” (Focus Features)
Production Design: Craig Lathrop
Set Decoration: Beatrice Brentnerová
“Wicked” (Universal)
Production Design: Nathan Crowley
Set Decoration: Lee Sandales
Costume Design
“A Complete Unknown” (Searchlight) Arianne Phillips
“Conclave” (Focus Features) Lisy Christl
“Gladiator II” (Paramount) Janty Yates and Dave Crossman
“Nosferatu” (Focus Features) Linda Muir
“Wicked” (Universal) Paul Tazewell
Music (Original Score)
“The Brutalist” (A24) Daniel Blumberg
“Conclave” (Focus Features) Volker Bertelmann
“Emilia Pérez” (Netflix) Clément Ducol and Camille
“Wicked” (Universal) John Powell and Stephen Schwartz
“The Wild Robot” (Universal) Kris Bowers
Music (Original Song)
“El Mal” from “Emilia Pérez” (Netflix)
Music by Clément Ducol and Camille
Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from “The Six Triple Eight” (Netflix)
Music and Lyric by Diane Warren
“Like A Bird” from “Sing Sing” (A24)
Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from “Emilia Pérez” (Netflix)
Music and Lyric by Camille and Clément Ducol
“Never Too Late” from “Elton John: Never Too Late” (Disney+)
Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
Live Action Short Film
“A Lien” Sam Cutler-Kreutz and David Cutler-Kreutz
“Anuja” Adam J. Graves and Suchitra Mattai
“I’m Not a Robot” (The New Yorker) Victoria Warmerdam and Trent
“The Last Ranger” Cindy Lee and Darwin Shaw
“The Man Who Could Not Remain Silent” (Manifest) Nebojša Slijepčević and Danijel Pek
Animated Short Film
“Beautiful Men” (Miyu Distribution) Nicolas Keppens and Brecht Van Elslande
“In the Shadow of the Cypress” Shirin Sohani and Hossein Molayemi
“Magic Candies” (Toei Animation) Daisuke Nishio and Takashi Washio
“Wander to Wonder” (Miyu Distribution) Nina Gantz and Stienette Bosklopper
“Yuck!” (Miyu Distribution) Loïc Espuche and Juliette Marquet
Documentary Short Film
“Death by Numbers” Kim A. Snyder and Janique L. Robillard
“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp
“Incident” (The New Yorker) Bill Morrison and Jamie Kalven
“Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative)
Ema Ryan Yamazaki and Eric Nyari
“The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington
Makeup and Hairstyling
“A Different Man” (A24) Mike Marino, David Presto and Crystal Jurado
“Emilia Pérez” (Netflix) Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
“Nosferatu” (Focus Features) David White, Traci Loader and Suzanne Stokes Munton
“The Substance” (Mubi) Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
“Wicked” (Universal) Frances Hannon, Laura Blount and Sarah Nuth
Sound
“A Complete Unknown” (Searchlight) Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
“Dune: Part Two” (Warner Bros.) Gareth John, Richard King, Ron Bartlett and Doug Hemphill
“Emilia Pérez” (Netflix) Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
“Wicked” (Universal) Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
“The Wild Robot” (Universal) Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts
Visual Effects
“Alien: Romulus” (20th Century) Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
“Better Man” (Paramount) Luke Millar, David Clayton, Keith Herft and Peter Stubbs
“Dune: Part Two” (Warner Bros.) Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
“Kingdom of the Planet of the Apes” (20th Century) Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
“Wicked” (Universal) Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould
Nominations by Film
(2 or more noms)
Emilia Pérez – 13
The Brutalist – 10
Wicked – 10
A Complete Unknown – 8
Conclave – 8
Anora – 6
Dune: Part Two – 5
The Substance – 5
Nosferatu – 4
I’m Still Here – 3
Sing Sing – 3
The Wild Robot – 3
A Real Pain – 2
Flow – 2
Nickel Boys – 2
The Apprentice – 2
Nominations by Distributor
Netflix – 16
A24 – 14
Universal – 13
Focus Features – 12
Searchlight – 10
Neon – 7
Mubi – 6
Warner Bros – 5
Paramount – 3
Sony Pictures Classics – 3
Briarcliff Entertainment/Rich Spirit -2
Orion Pictures/Amazon MGM Studios – 2
Sideshow/Janus Films – 2
20th Century – 2
Disney+ – 1
IFC Films – 1
Kino Lorber – 1
MTV Documentary Films – 1
National Geographic Documentary Films – 1
Picturehouse – 1
Walt Disney – 1
REBEL RIDGE, recensione
Oggi, recensiamo e recuperiamo, a distanza di qualche mese dalla sua mondiale distribuzione avvenuta tramite Netflix, nel dì 6 settembre scorso, l’avvincente eppur a nostro avviso, non pienamente soddisfacente, così come esplicheremo seguentemente, polar di matrice spionistica dal titolo, rimasto da noi invariato, come sovente avviene per le produzioni della piattaforma di streaming succitata, Rebel Ridge. Diretto, co-finanziato e interamente sceneggiato da cima a fondo in forma originale da Jeremy Saulnier (anche montatore), già autore dell’interessante Hold the Dark con Riley Keough & Jeffrey Wright. Rebel Ridge, della consistente, forse un po’ prolissa e non sempre bilanciata, nel suo ritmo sostenuto eppur a tratti filmato in maniera estetizzante e compiaciuta, durata di due ore e undici minuti netti e visivamente ammalianti, è un film che potremmo definire grintoso, memore d’atmosfere à la Rambo aggiornate, con le opportune variazioni tematiche e autentici tocchi autoriali non sempre ficcanti, ai modaioli, videoludici canoni estetici dei film d’azione odierni e innestato sul taurino, slanciato corpus recitativo del fascinoso, muscoloso colosso d’ebano dalle iridi atipicamente azzurre e cristalline di nome Aaron Pierre. Rebel Ridge ha suscitato critiche perlopiù entusiastiche presso la statunitense critica d’oltreoceano, quasi del tutto unanimemente concorde nell’acclamarlo a man bassa. A noi invece, a dispetto dei lusinghieri giudizi ricevuti specialmente negli USA, pur riconoscendone i pregi lodabili e la sofisticatezza della mirabile, movimentata messinscena, non ha particolarmente stupito, lasciandoci infatti alquanto perplessi. Ma ciò, con più sottigliezza e nei dettagli, eviscereremo nel prosieguo di tal nostra disamina. Al momento, atteniamoci a sintetizzarvene sottostante la trama, enunciandovi i punti più salienti senza dilungarci più del dovuto per evitarvi sgraditi spoiler inappropriati:
Nell’apparentemente sin troppo tranquilla e amena cittadina di Shelby Springs, un uomo di colore, Terry Richmond (Pierre), durante una giornata assolata, viene speronato da una volante della polizia e casca dalla sua bicicletta, ferendosi lievemente. Al che, è duramente approcciato da due agenti troppo bruschi e severi. Che gli confiscano i risparmi da Terry legalmente guadagnati col suo lavoro che gli sarebbero serviti per pagare la cauzione di suo cugino Mike Simmons. Scontento di tal gesto arbitrariamente ingiusto, il giorno successivo, si reca alla centrale per sporgerne denuncia e segnalare l’abuso di potere perpetratogli. Però, anziché esser accolta la sua querela, riceve la cattiva accoglienza (perdonate per il gioco di parole voluto) dell’intransigente e autoritario capo Sandy Burnne (Don Johnson). Il quale, all’inizio sembra accettare, seppur mal volentieri e vagamente riluttante, l’allettante offerta pecuniaria propostagli da Terry che, ovviamente, non vi sveleremo. Le cose però si complicheranno per Terry e la situazione precipiterà, deflagrando furibonda in un’escalation violenta e per tutti inaspettata. Inoltre, Terry ha stretto amicizia con Summer McBride (AnnaSophia Robb, La fabbrica di cioccolato), laureanda in Giurisprudenza e impiegata del tribunale che sta scoprendo oscuri segreti scabrosi riguardanti la glaciale corruzione delle forze dell’ordine. Nel distretto di polizia sono tutti immorali e spietatamente laidi, oppure qualcuno è rimasto, nell’integrità etica, incontaminato? Forse l’anima dell’ufficiale donna Jessica Sims (Zsane Jhe) è ancor pura e intatta. Oppur perfino lei fa parte del gioco criminoso della sbirraglia malsana?
Rebel Ridge scorre tutto d’un fiato e si lascia vedere di filata e volta, come si suol dire, imbeccando un paio di momenti indubbiamente efficaci ed emananti pathos adrenalinico che valgono, eccome, la visione, e azzecca l’ambientazione tesa e sudaticcia ben adatta al clima, non atmosferico, bensì semplicemente cinematografico ritraente uno spaccato di provincia violentemente crepuscolare. Costruito su misura come veicolo di lancio per Pierre, Rebel Ridge purtroppo assolve malamente, anzi, del tutto fallimentare, a tal compito improbo, in quanto Pierre, pur disponendo delle doti fisiche adeguate nello sfoggiare una possanza fisica atletica e al contempo rocciosa, scarseggia largamente in recitazione, mentre di contraltare brilla invece ovviamente quella del redivivo Don Johnson (Django Unchained) che, negli ultimi anni, sta rivivendo una seconda giovinezza attoriale a dispetto della sua veneranda età anagrafica.
Sebbene, va ammesso, il suo personaggio, seppur da Johnson consuetamente caratterizzato con classe nel suo sfoderare ghigni ed espressioni da gigionesco, gran attore consumato, è poco inventivamente riciclato e in copia carbone ricalcato pressoché esattamente e in toto al suo coriaceo eppur spietato e iniquo direttore carcerario Tuggs di Cell Block 99 – Nessuno può fermarmi.
Nella parte centrale, bellamente notturna ma carente in verosimiglianza, Rebel Ridge accusa molti colpi e s’affloscia in una narrazione soporifera e contorta, riprendendosi però nel lungo finale pirotecnico, forse però violentemente gratuito ed eccessivo, ove esplode la brutalità della vendetta furiosa di Terry, mescolata in vibranti immagini fenomenali, a loro volta intrecciate al pullular e scorrer prepotente, assai potente, e coreograficamente, perfettamente orchestrato “exploit” d’una interminabile, spettacolare sparatoria visivamente funambolica e d’alta scuola tecnica.
Nel cast, l’instancabile James Cromwell (L.A. Confidential, Sugar) ancora una volta, puntualmente e anch’egli ivi sfruttato poco originalmente, nell’oramai ripetitivo ruolo del marcio, anziano uomo di potere con molti neri scheletri nell’armadio.
di Stefano Falotico
Inferno a Los Angeles, Hollywood brucia e le nominations agli Screen Actors Guild Awards
FILM
Outstanding Performance by a Male Actor in a Leading Role
ADRIEN BRODY / László Tóth – “THE BRUTALIST”
TIMOTHÉE CHALAMET / Bob Dylan – “A COMPLETE UNKNOWN”
DANIEL CRAIG / William Lee – “QUEER”
COLMAN DOMINGO / Divine G – “SING SING”
RALPH FIENNES / Lawrence – “CONCLAVE”
Outstanding Performance by a Female Actor in a Leading Role
PAMELA ANDERSON / Shelly – “THE LAST SHOWGIRL”
CYNTHIA ERIVO / Elphaba – “WICKED”
KARLA SOFÍA GASCÓN / Emilia/Manitas – “EMILIA PÉREZ”
MIKEY MADISON / Ani – “ANORA”
DEMI MOORE / Elisabeth – “THE SUBSTANCE”
Outstanding Performance by a Male Actor in a Supporting Role
JONATHAN BAILEY / Fiyero – “WICKED”
YURA BORISOV / Igor – “ANORA”
KIERAN CULKIN / Benji Kaplan – “A REAL PAIN”
EDWARD NORTON / Pete Seeger – “A COMPLETE UNKNOWN”
JEREMY STRONG / Roy Cohn – “THE APPRENTICE”
Outstanding Performance by a Female Actor in a Supporting Role
MONICA BARBARO / Joan Baez – “A COMPLETE UNKNOWN”
JAMIE LEE CURTIS / Annette – “THE LAST SHOWGIRL”
DANIELLE DEADWYLER / Berniece – “THE PIANO LESSON”
ARIANA GRANDE / Galinda/Glinda – “WICKED”
ZOE SALDAÑA / Rita – “EMILIA PÉREZ”
Outstanding Performance by a Cast in a Motion Picture
A COMPLETE UNKNOWN
MONICA BARBARO / Joan Baez
NORBERT LEO BUTZ / Alan Lomax
TIMOTHÉE CHALAMET / Bob Dylan
ELLE FANNING / Sylvie Russo
DAN FOGLER / Albert Grossman
WILL HARRISON / Bobby Neuwirth
ERIKO HATSUNE / Toshi Seeger
BOYD HOLBROOK / Johnny Cash
SCOOT MCNAIRY / Woody Guthrie
BIG BILL MORGANFIELD / Jesse Moffette
EDWARD NORTON / Pete Seeger
ANORA
YURA BORISOV / Igor
MARK EYDELSHTEYN / Ivan
KARREN KARAGULIAN / Toros
MIKEY MADISON / Ani
ALEKSEY SEREBRYAKOV / Nikolai Zakharov
VACHE TOVMASYAN / Garnick
CONCLAVE
SERGIO CASTELLITTO / Tedesco
RALPH FIENNES / Lawrence
JOHN LITHGOW / Tremblay
LUCIAN MSAMATI / Adeyemi
ISABELLA ROSSELLINI / Sister Agnes
STANLEY TUCCI / Bellini
EMILIA PÉREZ
KARLA SOFÍA GASCÓN / Emilia/Manitas
SELENA GOMEZ / Jessi
ADRIANA PAZ / Epifania
ZOE SALDAÑA / Rita
WICKED
JONATHAN BAILEY / Fiyero
MARISSA BODE / Nessarose
PETER DINKLAGE / Dr. Dillamond
CYNTHIA ERIVO / Elphaba
JEFF GOLDBLUM / The Wonderful Wizard of Oz
ARIANA GRANDE / Galinda/Glinda
ETHAN SLATER / Boq
BOWEN YANG / Pfannee
MICHELLE YEOH / Madame Morrible
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
DEADPOOL & WOLVERINE
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
WICKED